Skip to main content

Posts

Showing posts with the label exhibition

Virtual Art Galleries

In today's world of COVID-19, experiencing life virtually is our new normal. From classes to work to cultural events we are living our lives while sheltering in place. Temporary closings, limited openings and social distancing, have forced artists, art galleries, art museums, and art organizations to think outside the box to find new ways to present art exhibitions. With that in mind, I decided to create an online virtual art gallery that can host an exhibition that is engagin g and informative. One that is visually appealing as well as interactive.  A virtual art exhibition th at can be used by a single artist to present a solo show or a gallery or art group to pr esent a group or member show. I am pleased to present the virtual art exhibition #FusedAtHome , a collection of artworks by the artist members of FUSEDChicago. I designed and produced this interactive art exhibition. It uses an appealing art gallery background. The viewer can travel between the many gallery rooms to vi

Creating Art That No One Will See

On Friday, March 6th, I attended the opening of BUILD: A Sculpture Show at Oliva Gallery in Chicago’s Logan Square neighborhood. Included in this show was a new sculpture that I created specifically for this exhibition . The idea of social distancing was just beginning to take hold, and while many of us in attendance at the exhibition opening were resisting hugging and shaking each other’s hands, none of us could have guessed that in just over a week, the gallery, and most businesses would be closed and we would all be sheltered at home. The resulting quarantine has put a pause on all of our lives. Many artists have created art for postponed or canceled solo and group shows that no one will see. Fortunately, many museums are offering virtual tours and many art curators and artists are creating virtual online art exhibitions. The Corona Sidestep: A Virtual Exhibition , curated by Joanne Mattera, is an excellent collection of artwork that offers “some visibility to ar

Award of Recognition

I am pleased to follow up my last post with this announcement that my encaustic and fiber sculpture  "Passages" received an Award of Recognition in the 70th Annual (WVE) Wabash Valley Juried Exhibition at The Swope Art Museum. Passages Juror Carter E. Foster, the Steven and Ann Ames Curator of Drawings at the Whitney Museum of American Art, wrote this statement for the exhibition program. "Surrealism is alive and well.  Whether through startling disjunctions of scale, eerie elimination of detail, strange juxtapositions or simply playful twists on observed reality, many of the artists I chose for this year's exhibition find endless richness in tinkering with the world while remaining fully part of it, without resorting to abstraction.  Some mined their psyches or that of an imagined other quite playfully and optimistically, without the darker undercurrents often common in this type of work.  On the other hand, the terror of the mind's unknown or blacker

Summer Exhibition

With much of my time spent creating new works, I have expended little energy on submitting to summer exhibitions.  The Swope Art Museum in Terre Haute, Indiana has had an annual exhibition for the past 69 years.  The 70th Annual Wabash Valley Juried Exhibition includes the work of artists residing in Indiana, Illinois, Kentucky, Michigan, and Ohio. Passages This year's exhibition was jurored by Carter E. Foster, the Steven and Ann Ames Curator of Drawings at the Whitney Museum of American Art.  The opportunity to position my work in front of this jurors eyes was all the motivation I needed to find the time to submit to this show. Unfulfilled Dream I entered three encaustic and fiber sculptures; "Unfulfilled Dream", "Passages" and "Living Together-But-Separate Lives". The first two were chosen and included in this exhibition.  Living Together-But-Separate Lives The exhibition runs from June 28-August 23, 2014.

Spaces We Inhabit part two

In my last post I talked about my preparation for the exhibit "Spaces We Inhabit" and the two sculptural installations I created for this show.  This post is a collection of images from the exhibition.      "Spaces We Inhabit" at the Hairpin Arts Center, Chicago.                 Me with my installation Spaces We Inhabit .  It consisted of 7 ceiling-hung columns, each 15' long.  The cubes themselves vary in size from 1.5"x1.5"x1.5" to 4.5"x4.5"x4.5".                                            Infinite Possibilities on the wall to the left.    The Power of Place and   Make No Little Plans on pedestals.  On the wall - two paintings by Mary Zeran between two paintings by Emily Rutledge.   Moving Day on the wall to the left, Place on the pedestal, paintings by Emily Rutledge on the wall and a peek of my installation Spaces We Inhabit between the wall and col

Winter Exhibition News

Place (detail)   I’m sending two of my newest sculptures to Florida this month.   I am especially pleased that both were accepted as it was the first time I had submitted either for an exhibition.   Place is the largest work I have created to date, measuring 6’7”, twice that if it is laid out from end to end.   I plan to pursue Place as a series that will be hung as a multi-piece installation. Place   6’7”hx8”wx4.5”d    e ncaustic, cheesecloth, cotton cord, foam    Passages has been a work in progress.   I made the base last year and it sat off to the side in my studio waiting for inspiration.   Over time this base changed shape until I came upon the decidedly boat-like form it is today.   It then returned again to that “place of contemplation” off to the side in my studio until one day I spied the roll of copper wire I had in a container of wire and cords.   I really like the combination of metal with wax and fiber.   The small sections of copper wire impale t

Fall Exhibition News

                                                       Vertical Lines                                                                       15”hx15”wx8”d                    Encaustic, Cheesecloth hand dyed by artist, Hemp cord, Wire, Found metal       in·vite / v. ɪnˈvaɪt; n. ˈɪn vaɪt / Show Spelled [ v. in- vahyt ; n. in -vahyt ]       verb, in·vit·ed, in·vit·ing, noun verb (used with object) 1. to request the presence or participation of in a kindly, courteous, or complimentary way, especially to request to come or go to some place, gathering, entertainment, etc., or to do something.                                                       Unfulfilled Dream                                                         6"hx32"wx7"d Encaustic, Cheesecloth hand dyed by artist, Hemp cord, Wire, Found metal   It is always nice to receive an invitation.  Although, today it is usuall

Summer Exhibition News

Well summer has taken it's time getting to Chicago but it is finally here!  The cool rainy weather has kept me indoors and in the studio creating work.  I am happy that many of these new pieces have been included in area exhibitions.  Staci Boris, Chief Curator for the Elmhurst Art Museum juried two of my sculptures, Vertical Lines and Considering Mies , into the Summer Show at Water Street Studios in Batavia. I am thrilled to learn that I was chosen as an Honorable Mention artist in this show. The show was beautifully curated.  I was particularly pleased to see Vertical Lines hung out in the open.  Given the small size of my studio this piece was never afforded the space that gives it it's sense of floating.    The Water Street Studios Gallery Summer Show runs July 12-Aug 24, 2013 http://www.waterstreetstudios.com/   Vertical Lines  The name of this sculpture, Vertical Lines , was influenced by the artist Robert Mangold.  He is known for translating basi

Spring Exhibition News

Coming Together 9x12x13 encaustic, fiber, wire I do not like the cold. I know that many people are eager for the start of winter. They are happy to embrace the snow and the cold and all things winter. Now don't get me wrong, I am not immune to the beauty of newly fallen snow and the wondrous vision of the world enveloped in a white veil during a snowstorm but I prefer to experience this while tucked away in my home without any need to head out into all of this splendor. Needless to say, I am one of the many people that are eager for the start of spring. I love spring. Nature comes to life, replacing the dull colorless landscape with polished green and lovely flecks of color. One of my favorite signs of spring includes the return of boats to our harbors. While sailing along Lake Michigan this early in the year would undoubtedly be chilly to say the least, this action speaks to the optimistic expectation of warmer days to come.     It is with great expectation that I look t

Fall Exhibition News

I love Fall. I love the cooler temperatures and I love the changing colors & falling leaves and I really love the annual tradition of switching out my summer clothes for my winter clothes. The sight of a favorite comfy sweater almost makes me yearn for chilly Chicago winter days…almost. Not only does the weather change but the city changes. The beaches close, school resumes and in general, the number of visitors is vastly reduced. Now I love living in the city, but the sheer number of tourists that visit every summer can be overwhelming at times. There is a small pocket of time between summer and holiday shopping season where downtown Chicago feels more intimate. The sidewalks are just a little easier to navigate and the restaurants in our neighborhood are actually filled with neighbors. I am particularly happy to welcome Fall this year with a number of exciting exhibitions! Tactile Encounters: The Influence and Appearance of Textures I am pleased to have five 3D encaustic

Challenges are a Good Thing

Tendency of Thought (18"x18", encaustic, cheesecloth) A number of months ago I looked at a call that I wanted to apply to and saw that it specified “Only 2D” submissions. Now given that I have focused on 3D work over the last year or so, I thought this was a nice little challenge. Challenges are a good thing. They encourage us to experiment and they test our willingness to step out of our comfort zone. Sometimes these challenges emerge as mere questions; how can I hang this sculpture on the wall, how can I use this material differently, how can I convey this idea? A good number of these deliberations remain ‘on the back burner’, so to speak, waiting for that spark of inspiration. Sometimes that spark happens right away. I see something new that hints at an answer, or look at the problem in a whole new way. Sometimes it’s just that infamous 'happy accident'. With this submission challenge, I knew that I wanted to incorporate both encaustic and cheesecloth