Skip to main content

Posts

Showing posts with the label fiber

Falling Down

Not unlike many artists, I have had some challenges in the studio during this pandemic. While immersing myself in the creative process of art-making is calming and rejuvenating, it can be a difficult place to get to amidst all of the stress and anxiety of today's world. I have been taking online workshops and reading, reading, reading! My morning routine includes reading everything, well almost everything, in my many inboxes. This includes the New York Times and Washington Post, our local Chicago Tribune, and of course, many online art news subscriptions. A recent New York Times article " Faith Ringgold Will Keep Fighting Back " is worth recommending. In it, artist, author, and activist Faith Ringgold talks about how the pandemic, and the death of her husband, have blocked her creatively but the recent protests, spurred on by the murder of George Floyd, have inspired her to return to her studio. Sometimes we need to wait for inspiration, keeping our eyes and ears op

Creating Art That No One Will See

On Friday, March 6th, I attended the opening of BUILD: A Sculpture Show at Oliva Gallery in Chicago’s Logan Square neighborhood. Included in this show was a new sculpture that I created specifically for this exhibition . The idea of social distancing was just beginning to take hold, and while many of us in attendance at the exhibition opening were resisting hugging and shaking each other’s hands, none of us could have guessed that in just over a week, the gallery, and most businesses would be closed and we would all be sheltered at home. The resulting quarantine has put a pause on all of our lives. Many artists have created art for postponed or canceled solo and group shows that no one will see. Fortunately, many museums are offering virtual tours and many art curators and artists are creating virtual online art exhibitions. The Corona Sidestep: A Virtual Exhibition , curated by Joanne Mattera, is an excellent collection of artwork that offers “some visibility to ar

Spring News!

My blog posts are anything but frequent!  In fact my entire art-making has taken a back seat to, well, the rest of my life!  The irony of this slip in my online presence is that between my work for the clients of my own company, Chicago Social Media Marketers, and my relatively new position as the Marketing Manager for Northshore Concert Band in Evanston, Illinois, I have been focusing on the promotion of everyone and everything BUT myself and my own art work! Well, I am here to say that I am back...for now!  I will move forward with the best of intentions to post in a more regular fashion!  But, as any resolution, this goal may not be met and my conviction to consistently post to this blog may be short-lived.  Only time will tell!! Exciting News! Two publication announcements! Surface Design Journal The Tactile World Winter 2015-2016 Towards the end of 2015, I was contacted by Miles Conrad , director of the Conrad Wilde Gallery in Tucson, Arizona.  He was writing an

Art Exhibition Themes

Setting up an art exhibition quite often begins by choosing a theme.  A theme can serve to tie all of the included works together.  It usually explores a particular concept or idea.     I am a member of the artists group FUSEDChicago.  For our first group show of the year, Textual Encounters at ARC Gallery in Chicago, we exhibited works that are inspired by the written word.  My textural reference was a quote from the artist Jasper Johns:  “One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.” For this exhibit I wanted to include some of the columns from my sculpture "Spaces We Inhabit".  These 15 feet high sculptures were designed to be hung from the ceiling, enabling visitors to walk among them but I was unable to do so in this space.  So I adapted and installed 7 of the columns with this wall hanger.     "Spaces We Inhabit", ARC Gallery I have been in art exhibitions that use an art medium as

Transformed Spaces

I was thrilled to have had the opportunity for my first solo exhibition this past December. My show Transformed Spaces consisted of two sculptural installations; Infinite Possibilities and The Spaces We Inhabit.  It considered the symmetry of the urban landscape and explored the physical and mental boundaries of the public and private spaces we inhabit.      Infinite Possibilities is a wall installation consisting of 30 unique wall cubes, each utilizing similar and familiar materials yet each recognizing its own distinctive space .   Spaces We Inhabit is an installation of a dozen, twelve foot high columns of encaustic and fiber sculptures created by altering 2-dimensional paintings.   This transformation acknowledges another kind of space; one of visual repetitiveness and change.    Transformed Spaces was installed in the Art on Armitage Gallery window December 1, 2015 and was up throughout the month.  I was lucky enough to have the assistance o

The Evolution of a Sculpture

I often begin a new work from a sketched design.  The lower design in this image from my sketch book was the inspiration for a new sculpture.   Beginning with a circular wire support, I created a 3 dimensional version of this sketched image.  The problem was that, to me, the actual sculpture didn't please me as much as the sketched image.  So it sat in the back of my studio waiting for a creative revelation.  Then one day, as I studied this piece, I envisioned it "exploding" open, so I took an  knife to it and, leaving the circular wire armature intact, turned the single form into one that had five connecting sections.  This  alteration added interest and movement.  Hmmm, this certainly was a dramatic departure from the original sketch but it was a move in the right direction. Knowing that this piece was not finished, I returned it to it's spot in the back of my studio.  I lived with this new form, manipulating these five appendages in